Monday, Wednesday, Friday. Bonus comic every Sunday.
 

Three panel comic featuring Litchfield and Pinch, as heads attached to robot drone dogs, a la Beeple's "Regular Animals" exhibit at Miami Basel 2025.
Panel 1: Litchfield says "Are we commentary on technofascist power structures? Or are we just beeplin' around?" Pinch says "need more data!"
Panel 2: Litchfield goes into surveillance mode. Caption says "Gathering data using optics and LIDAR."
Panel 3: Litchfield squats and says "I'm going to poop my answer in the form of a satirical NFT and you tell me if you agree." Pinch says "Those technofascists are going down!"
 

Latest Comics

Netflix Bids for Warner Bros.

One shot comic illustration of David Zaslav, as he appears in Art Cetera, carrying a crumbling Warner Bros. insignia across a field of Netflix ribbons.

For those tuning into the latest chapter of Art Cetera, “Escape from Art-catraz,” David Zaslav is a villain. A ruthless warden of a satirical creative arts prison, hellbent on shaping the media landscape to his will.

The real life David Zaslav, CEO of Warner Bros. Discovery, has also been this villain. To me and the thousands of other creatives that call Los Angeles home and who were lucky enough to find work and purpose in the entertainment industry. The last several years have been a nonstop dust-up that has not been kind to us, in large part because these kinds of gangsters keep gambling the livelihoods of my friends and colleagues.

And just when there were starting to be signs of it turning around, or at least not so turbulent, here’s news of Netflix making a $82.7 Billion bid for Warner Bros. 

Three panel comic inside the notorious creative arts prison, Artcatraz. An unnamed woman is with Malaprop.
Panel 1: The woman says "Some of my friends here are not art criminals at all—but showrunners that got caught in a streaming purge." Malaprop, offpanel, says "This place was designed by a madman."
Panel 2: The woman says "You have the warden to thank for that." Malaprop says "The warden?"
Panel 3: Cut to the warden of Artcatraz prison, he has a Warner Brothers emblem for a badge and a name tag that reads David Zaslav. He says "Anyone who steps out of line will disappear for a tax write-off."
“The Warden is on Patrol”

The options look grim whoever ends up buying it. There’s seemingly no way to sell a massive studio like Warner Bros. without creating a dangerous media consolidation. And if the government cares as much about anti-trust law as it has lately for intellectual property law being fed into the AI-shredder, there’s no reason to think they’ll block the merger.

Which is why David Zaslav should sell Warner Bros. to me.

Three panel comic featuring Client, a multi-head emoji business person, and David Zaslav, the warden of Artcatraz Island Prison.
Panel 1: Client says "Wow, Mr. Zaslav. How did you get so good at illing movies and TV shows?" Zaslav says "Ah. My origin story."
Panel 2: Flashback with the caption "It all started when I was seven-years-old." The scene depicts a child version of Zaslav—he's holding a new 1967 Troll doll, he wears little boy suspenders and a pinwheel beanie hat. The TV says "Gilligan's Island is Canceled"
Panel 3: Back in modern day, the Client says "They survived the storm but were no match for the media executive." Zaslav says "My first taste of unstoppable power!"
Zaslav Origin Story

Sure, Mr. Zaslav and I have had our differences—I’ve made him the main antagonist in my comic strip and he doesn’t know who I am—but why should those minor quibbles get in the way of such an inspired choice? Now, Mr. Zaslav, I know Netflix is promising $82.7 Billion, but would you consider selling it to me for nothing?

Here are the facts:

  1. I will prevent a Netflix remake of Citizen Kane.
  2. I will rebuild the company in the image I imagined it to be when I was 10-years-old. (See: Animaniacs)
  3. It doesn’t need government approval (I assume. I imagine it like a Wonka-type of situation where I buy the studio for the equivalent of a stolen Everlasting Gobstopper.)
  4. The move would be as random as every other business decision David Zaslav has made in the last several years. 
  5. Speed Racer 2 and 3 are immediately green-lit.

Think about it. Destiny awaits.

Also, I could really use a job right now.

Six panel comic continuing the "Escape from Artcatraz" story. The warden, David Zaslav, has cornered Malaprop and Imogene (with the thumb drive) at the docks.
Panel 1: Zaslav says "End of the line, Saint-Lucy. Give me that drive! Legally, that footage doesn't exist!" Imogene says "Never!"
Panel 2: Zaslav says "Do it or else! You have no idea what I'm capable of." He then makes a claw with his hand and rips a nearby building in half using telekinesis powers.
Panel 3: With Zaslav's other hand, he floats some massive piece of concrete rubble and says "I can whim reality to my whim."
Panel 4: Zaslav in a wide shot, showing all the rocky pieces he controls, surrounding him. He says "—and change it all again before the next earnings report."
Panel 5: Two massive pieces of concrete rubble smash together in mid-air, merging into one solid piece, debris and dust flinging off of it.
Panel 6: Extreme close up of Zaslav's red eyes. He says "I call that move: the 'Warner Bros. Discovery.'"
“Zaslav Strikes Back”

Gen-HI and the Art Cetera Forum

The Art Cetera Forum is now open. A simple phpBB message board to chat about the comic, art we like, and other projects away from the algorithmic feeds of social media.

To start us off, I invite you to try GenHI—an experimental Generative Art service run by Human Intelligence. That’s right, folks! Step right up and try a prompt! Here’s how it works:

Start a NEW POST and write out your text prompt. (Be specific—or don’t!)

George Washington punching a Martian in the face.

Then I will reply to the post with four (4) thumbnail sketches.


You choose one and I will draw it out.


Warnings:
You only have so much control over the final outcome, I am at the mercy of my human whims.
Sometimes the human machine breaks down and needs repairing.

Allow me to reintroduce myself

Meet Litchfield. I suppose you could consider me his biographer in a weird way. Some of you are familiar with him and his work and find him (rightfully) to be on the cutting edge of the modern art scene and may go down in history as the artist who redefined the avant-garde in his own image (my apologies to Litchfield if that understates it too much.)

Still others are not familiar with him yet, but let today be “day one” of a new, enlightened future. ART CETERA is here.

The current plan is to run Art Cetera for a year, four times per week (Monday, Wednesday, Friday, plus a bonus one-shot on Sundays) and see how it goes. Please follow along on various social medias (either @classicbri or @artceteracomic) and I hope you enjoy the comic.

Art Cetera Tech Week

The comic will officially launch on Monday, August 12, so this week is my “tech week” as I get the site built, the bugs fixed, and the export settings fine-tuned. I was going to keep everything under wraps until everything was spit perfect, but it just seemed largely unnecessary and boring. So pardon the mess this week as it all comes together.

The shape of Art Cetera (as it’s designed so far) is a Monday/Wednesday/Friday webcomic (with a bonus update every Sunday) over the course of one year. That’s not a strict end date, just a general goal. If I’m having fun, I’ll keep it going.

Check in throughout the week – I’ll have another “negative number” comic on Wednesday and another on Friday as we lead into start of Art Cetera.